photo: Philip Spalding III
Juvenilia 1904.
Jean Charlot. 1904–unknown. Rebound ledger. Pages are 8 1/2 in wide × 10 1/2 in high.
photo: Philip Spalding III
Zebra, elephant with riding platform, horse and rider, in landscape.
Jean Charlot. Dated: 1904 in older hand. Pencil on paper. 6 1/2 in wide × 8 3/4 in high, irregular shape.
photo: Philip Spalding III
Twelve watercolors of rooftops and skyscapes.
Jean Charlot. Circa 1911. From balcony Rue de la Chaussépe d’Antin.
photo: Philip Spalding III
Illustrations for Contes à ma Sœur.
Jean Charlot. 1911. Ink and wash. 5 in wide × 7 1/2 in high.
Contes à ma Sœur. Hégésippe Moreau. Not dated. Paris: Combet & Cie.
photo: Philip Spalding III
Illustrations for Le Miroir des Heures, ca. 1915.
Jean Charlot. Circa 1915. Colored pencil. 5 in wide × 7 1/2 in high.
Le Miroir des Heures. Henri de Régnier. 1911. Paris: Mercure de France.
photo: Philip Spalding III
One sheet: three portraits of Henri Charlot sick; and one of Louis Goupil sleeping.
Jean Charlot. Pencil on paper. 7 1/2 in wide × 6 3/8 in high, irregular shape.
See also verso: Two portraits of Henri Charlot sick, one cut off
photo: Philip Spalding III
Two portraits of Henri Charlot sick, one cut off.
Jean Charlot. Dated: January 4, 1915. Pencil on paper. 6 3/8 in wide × 7 1/2 in high, irregular shape.
See also recto: Three portraits of Henri Charlot sick; and one of Louis Goupil sleeping
Polychrome wood sculpture.
Jean Charlot. Circa 1916–1917.
photo: Philip Spalding III
Saint Christopher.
Jean Charlot. Dated: 1917. Pencil on paper. 14 1/2 in wide × 20 1/2 in high.
photo: Philip Spalding III
Sacred Heart.
Jean Charlot. Dated: 1917. Pencil on paper. 14 1/2 in wide × 20 1/2 in high.
photo: Philip Spalding III
Three studies for Annunciation.
Jean Charlot. Pencil on paper. Studies for Vignette of Sacred Heart, large drawing for Ste. Barbe series.
See also recto: Sheet with eight figures of Apostles and one bishop
photo: Philip Spalding III
Très Sainte Barbe, rejected drawing.
Jean Charlot. Date: 1917, probably before September. Pencil, ink, crayon(?) on paper. 12 3/8 in wide × 18 1/2 in high.
photo: Philip Spalding III
Ts. Se. Barbe.
Jean Charlot. Date: 1917, probably before September. Full scale drawing: pencil, ink, and blue and yellow wash on paper. 14 1/2 in wide × 20 1/2 in high.
photo: Philip Spalding III
Jeanne guerrière.
Jean Charlot. Date: 1917. Pencil and ink on paper. 14 1/2 in wide × 20 1/2 in high.
photo: Philip Spalding III
Designs for liturgical cloths.
Jean Charlot. 1917.
photo: Philip Spalding III
Guerre 1918.
Jean Charlot. 1918. Paper: 3 3/4 in wide × 6 in high. Notepad, probably army issued, used as a sketchbook during World War I.
photo: Philip Spalding III
Portrait of woman, looking down in 3/4, study of eye.
Jean Charlot. Circa 1918. Pencil on paper. 8 in wide × 9 in high.
photo: Philip Spalding III
Folk statue of a woman, face in profile, body straight on, arms extended.
Jean Charlot. Probably May 1918. Pencil on paper. 3 3/4 in wide × 5 5/8 in high. From same notebook as “Profile of Man” May 1918.
See also verso: Sketch of straw man
photo: Philip Spalding III
Sketch of straw man.
Jean Charlot. Pencil on paper.
See also recto: Folk statue of a woman
photo: Philip Spalding III
Park or forest scene.
Jean Charlot. Date: circa May 1918. Pencil and wash on paper. 19 3/4 in wide × 13 3/4 in high.
photo: Philip Spalding III
Drawings of twelve Apostles for title page of Chemin de Croix.
Jean Charlot.
Chemin de Croix dessiné et gravé sur bois de fil.
Jean Charlot. Dated: 1918–1920. Fifteen woodcuts. Biggest: 12 in wide × 17 1/2 in high. Chaumontel, France: privately printed. Edition: 17. Morse numbers 11–25.
photo: Philip Spalding III
The Occupation of Germany.
Jean Charlot. 1918–1920.
photo: Philip Spalding III
Postwar Paris.
Jean Charlot. 1921.
photo: Philip Spalding III
L'Amitie preparatory artworks.
Jean Charlot. 1921.